I’ve been scanning film with an Epson v800 scanner in Vuescan, then importing the 48 bit scans into PhotoLab. Whether by happy accident or hidden feature, the color correction and levels balancing on the images is probably the best and fastest I’ve ever seen for scans of negatives. It can be a bit more difficult if there’s not a clear grey area in the photo, but copying setting across images works well in that instance.
In the future, you might want to add features to take advantage of your image handling capabilities as applied to film. Removing color mask, white balancing, target-based color balancing might be things that the small community of film enthusiasts could find very useful.